10 poems by Thom Kellar
IN A PERFECT WORLD
In a perfect world...
The 4 faces chiseled in Mt. Rushmore
would be Johnny, Kris, Waylon, and Willie
OJ Simpson would be stamping out vanity plates
alongside the unabomber in San Quentin.
every wanna-be Doctor, Priest, and Lawyer, made to watch
Paul Newman in "The Verdict" at least 50 times
and a public school education would include mining the mother lode
of irony found in the life and times of Muhammad Ali
In a perfect world...
the Government would not find it necessary to spend 50 million bucks
trying to prove the president committed adultery and lied about it
the NRA would wither up and die due to lack of interest,
Its army of Lobbyist picked off one by one through random gunfire
the camouflaged, soldier of misfortune, pin-headed, bubba-boys
would collectively decide themselves
not smart enough to exercise the right to vote
And every child would know deep and sustaining Love
from those in charge of caring for them
In a perfect world...
I could lay all day on the beach
soaking up Pacific Ocean Sun without burning my ass off
my 1970, Olds F-85, with the 396,
would get better gas mileage the faster I drove it
like maybe 100 miles per gallon at 100 miles per hour
there would fantastic, hole in the wall,
Mexican food joints on every street corner
with plenty of fresh Tortillas, Habeneros, and ice cold Negra Modelo
and "Baby Doll" with the wandering eye,
would magically see George Clooney
every time she looked my way, causing her to re-think monogamy
DEAD MEN
dead men
don't care what the surgeon general thinks
dead men
drive around with no place to go
dead men
figure the come-on at the end of the bar, more trouble than she's worth
dead men
hold alcohol in a medicinal light
dead men
will sleep in their work clothes
dead men
never have to RSVP
dead men
buy cars, and smokes, based solely on price
dead men
avoid eye contact at any cost
dead men
doodle on the obituary page
dead men
drive on bald tires with cracked windshields.
dead men
accept with resignation, the next days hangover
dead men
listen to Coltrane, and Davis, start to finish, no interruptions
dead men
don't floss
dead men
will take their Sake cold
dead men
take the long way to work
dead men
don't sweat expiration dates
dead men
never wear bandages
dead men
are past blaming anyone
dead men
see horse-shit and diamonds the same
dead men
don't care where the candle-wax falls
dead men
forget what day of the week it is
dead men
can't get to sleep at night, can't wake up in the morning
dead men
have nothing in their hands
dead men
never ask another chance
dead men
have stopped trying to make sense
dead men
play dumb when they know they're being lied to
dead men
have made the connection between sorrow and desire
after losing the one thing he loves
a dead man will spend the rest of his days
anesthetizing the past
pouring gasoline on the future
dead men
have no fear of dying the second time
LINE OF SIGHT
maybe the angel watching over me
strikes a match along the corner of my eye
the way them TV outlaws use their cowboy boots
whenever they need to light up a smoke
or maybe the skittish ghost of a firefly
tries to engage me in blind man's mystic bluff
I turn to look-too late-I miss it
left to ponder the validity of the hidden message
it happens all the time beyond the borders
micro sunspot surfing the line of sight
Marlboro angel in a nicotine fit
fires up when God looks the other way
KIND OF BLUE
What Miles Davis was
to melody
John Coltrane was
to virtuosity.
black giants
in white-bread world
mixing up a masterpiece
branding iron hot-ice house cool
tornadoes and sea breezes
shouts and whispers
bold slashing strokes-precise, razor thin lines
the frenetic energy of a humming bird
the economized motion of a crow
muted trumpet-raging tenor sax
"Kind of blue"
2 of a kind
heaven squared
PRIMER GRAY
Smoke ring in a windstorm
old man with blindfold and cigarette
at the university he had "shown promise"
was called a "diamond in the rough"
but the years have gotten away from him
he pissed away his time
now he waits for the phone to ring
for Gabriel to call and ask if he has one last request
from the beginning desire had been a map without names
never sure where he was or where he was going
change made for the sake of change
point A to point B in a car painted primer gray
he drank too much-slept too much
read too much-chased "easy" too much
never finished the book he had been writing
for the last 24 years
now the Rambler sits on blocks
the manuscript lost somewhere in the attic
he calls himself "invisible man on blue planet"
the events of his life written in disappearing ink
nothing to offer as evidence of having circled the Sun
staring at the autumn sky, chain smoking, sipping tea,
he waits for the angels to raise their rifles
and take him home
LOVERS
in these late breaking days
rebellion has become
the most ragged of fashion statements
the banality of it symbolized
by certain
hairstyles, cigarettes, rock bands, automobiles
saltpeter-fueled revolution
defiance institutionalized
from our home entertainment centers
we see, we hear,
the latest corporate anti-heroes
as they sun themselves
along the banks of the mainstream
mega stars
idolized by thundering herds
spilling forth
from the nearest shopping mall
if you were to ask me
I would tell you:
lovers with a cause
are the real rebels
the spiritual benefactors,
the wounded heroes,
the mystics eternally misunderstood
with fine grit paper
working against the grain
hands slivered and bleeding
creating hidden beauty
in time
floating free-form
defying the gravity
of power, greed, envy...
detached-disconnected
born anew
these spirit artists become suspect
a kind of threat to social order
to be burned at a stake
nailed to a cross
assassinated by sniper fire
getting them out of the way
we make martyrs of them
the dead don't scare us
the way living flesh and bone does
it's easier to glorify a touched up past
than face a future
we seem hell-bent on desecrating
one by one
all are shot down
...and when the fields where the wildflowers grow
have been bulldozed and destroyed
then spring is gone
and what's left
is a sort of somber confusion
as hard to define
as that 4 letter word
we so readily cut and paste
to fit our purpose
LOST
where am I going with this?
(stuck mid-sentence)
the point of my explanation
eludes me
I could blame it on strong drink
or old age
or on the houdini like skills
of a much younger woman
who decided there were better things
than being shackled to a crazy man
me
but she can't shoulder all the blame
maybe the trouble really was booze
or the impotency of being "long in the tooth"
or the nights of rage
when I felt old and drunk
and like screaming at her
or anyone else who happened to get in the way
for reasons I now don't remember
she was the closest I ever came...
sorry...
what was the question?
STRESS
somewhere far below
valley of shimmering silicon
hidden beneath dying branches
of a train track Willow
2 Mexican v-necks work up a good buzz
drinking malt liquor-swapping lies
cross-tie compadres
with all the accouterments of the homeless
loosely thrown into a Safeway food cart
Henry laughs at Ricardo
"mas cerveza cabron"
the Hispanic boys can see themselves
in the tinted glass of a southbound commuter
on the inside-upper deck-Lawrence-marketing wunderkind
studies a memo regarding changes
in the company's 401K plan
8 hours of giving corporate head-home he goes
it's Thursday-that means Pasta and Seinfeld
one more day of tap dancing and the weekend is his
Saturday he's got tickets to see Jagger and the Stones
Ricardo picks up a small rock
he likes the feel of the granite in his hands
carefully setting aside the can of King Cobra
he cocks his arm and lets fly
too late-the train has passed-the target missed
inside the moment
Lawrence feels sharp pain to his forehead
"stress he mumbles"
ransacking his briefcase for Anacin
(he thinks to himself)
"there's no way Susan and the kids
will ever know what I go through
to bring home the bacon"
Henry laughs at Ricardo again
"you can't hit shit" he says
THE WORK
Tim is my friend
He's also a shade tree mechanic
makes his knuckles bleed
over the engine in my Oldsmobile
after a Transmission job
he turns to me in Lone Ranger fashion
says "TK-my work here is done"
there are loose bolts sitting in the trunk
I say "where do these go"
he's stoned-doesn't remember
I ran into this house painter once
in the Peppermill lounge-Cupertino
he walks into the place ready to fight
I suggest that he cool off
I buy him a beer
later he says "it's been one helluva week"
he had 3 doors to stain and finish
got down to the final lacquer coat
"screwed up all 3 of em'"
spent hours sanding out his mistakes
I'm like those guys
my stuff never has that "finished feel"
the poems continue to ache for perfection
long after I've sworn them off
one of my ex-wives
used to stand in front of the bathroom mirror
staring at her face
she'd get pissed and yell out at me
"bring me the yellow pages honey
I'm gonna' call someone
who can fix my nose"
reading back my own words
as they look on a computer screen
I can understand her pain
God help the folk-bard
who's work is never done
PLAN B
outside
back porch
I sip cheap red
strum a cracked and buzzing
Harmony 6-string
tell the stars
to go fuck themselves
upstairs
on your back
in bed
Cosmo opened
across your chest
you whisper
something to someone
on the phone
downstairs
in the kitchen
under the ironing board
our 3 year old sits
blissfully occupying himself
with a green, rubber,
T-Rex toy
welcome to plan b
much time ago
I was to be a writer
of words and music
you were going to travel the world
a single woman
scoring brown-skinned boys
taking in the sights
but like dirt-track figure 8ers
we "discovered" each other
an accident throbbing to happen
we became easy marks
lowest form of idiot
of course "little-man"
has no such regrets
no fear for what's future
he's like a sponge
soaking up the moment
laughing to himself
as he and imaginary friends
knowing the pass-word
slip past the angel
standing guard
at Eden's gate
TAF Index |
Woman in Motion |
3 Poems by Janet Buck |
Speed Of Love
Future of Art|
Interview with William C. Leikam |
Rick Doble - Artist's Statement